Sharon Gabie and Zanele Hartmann
 
 
The Ovahimba is an indigenous group situated in the desert environment of Opuwo in Northern Namibia. Loots (2021), states that they are one of Namibia’s most celebrated attractions and attributes this attraction to the aesthetic indigenous qualities of their culture. The Himba tribe is famous for their distinct decorations and their steadfast commitment to traditional customs. Women within the tribe adorn themselves with symbolic jewellery while being bare-breasted. They are also known for their application of the distinctive red ochre and butter mixture referred to as ‘otjize’ to their skin and hair. The ‘otjize’ serves to protect their hair and skin from harsh sun and wind, imparting a distinctive reddish colour. However, this this practice is not merely just a visually captivating embellishment, it is a deeply ingrained cultural tradition integral to the Himba identity  (www.fortsesfontein.com). However, as mentioned by BBC , the Namibian’s Himba people way of life and culture is threatened by encroaching modernity.
Upon visiting a Himba village not far from the Etosha lodge and speaking with Himba women in the Purros area, where the women performed a traditional dance for the research team to observe. They each took a turn to perform for us and show how proud they are of their culture. In Anthropology and other sub-disciplines, we learn that culture is not static but an evolving phenomenon. The Himba women and Himba people balance these dichotomous views of what is an aesthetic original culture and what impacts modernity have on culture in an even balance (Dieckmann, 2007: 339). One of the young people we engaged at the village told us that he went to school in an outside town, he spoke perfect English but preferred to come back to his village and work with his people promoting the Himba cultural values albeit performed it keeps them grounded in a believe system that gives them a sense of belonging to a unique cultural grouping in the geographical landscape of Namibia.
 
The Himba women adorn they bodies with jewellery made from seashells “they have reminisces of the sea in their shell necklaces, anklets and bracelets” while being “guided by the sacred fire” as stated by (Boswell et al, 2024: 38). The women are creative artisans in the community, creating beautiful jewelry and other body adornments using iron, copper and shell as noted above. The jewelry they wear are symbolic of their status in their society. For example, a large white ohumba from Angola is a shell given to a woman after the birth of her first child and it symbolises fertility which is hung between her breasts.   The hairstyles of the Himba women that looks so flamboyantly aesthetically pleasing, it too has a cultural significance. For example, “when a woman is married she wears a sort of diadem made from antelope hide, called omarember or erembe, widows wear a this singular hat in reverse” (ibid). 
 
 
References
 
Boswell, R., Thornton, J.L., Hayter, R. 2024. Ocean Beings. Langaa Research & Publishing CIG Mankon. Bamenda.
 
Dieckmann, U., 2007. Hai||om in the Etosha Region. A history of Colonial Settlement, Ethnicity and Nature Conservation. Basler Afrika Bibliographien. Namibia.
 
Loots, C., 2021. Portals between worlds: a place of accustomisation celebrating the Himba cultural identity through a critical regional dialogue between modernity and tradition in the Kunene region.
 
The Fascinating Life of the Himba Tribe. Accessed from https://www.fortsesfontein.com/life-of-the-himba-tribe/ Viewed 18 May 2024.
 
Fihlani, P. 2017. Namibia's Himba people caught between traditions and modernity. Accessed from
https://www.bbc.com/news/world-africa-40247310 Viewed 18 May 2024.
 
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Posted on 19 August 2025 14:37:06


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